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where he frequently traveled from 1964 on
contextualizing the artist’s return to painting in the early 1970s and his attraction to subjects of notoriety
He conceived of Banality as an elaborate allegory
bread and butter plate
The cloth hardcover is housed in a slipcase featuring the painting Fillette jouant avec une voiture (Paloma fond rouge) (1951) and the sculpture Petite fille sautant à la corde (1950)
Alex Israel: Noir Card Set Antony Peattie where he frequently traveled fromThis card set was produced on the occasion of Alex Israel: Noir at Gagosian, Beverly Hills. It includes eleven blank flat cards that reproduce the exhibited paintings in a panoramic format reminiscent of CinemaScope movie screens. Rendered in highly saturated colors, these paintings of unpopulated Los Angeles streetscapes at night depict personal landmarks for the artistfrom Chateau Marmont and the Troubadour to Vons and the Bigg Chill. Produced
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