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enamel and pigments (5 cm/2 inches thickness)
utilizing digital tools to develop images that trick the mind into perceiving things like movement and depth on a two-dimensional
Each touch is intentionally counted
she carefully applies acrylic paint into the untreated linen surface
neither the wave theory nor the particle theory alone explains light
Numinous 32 (For Gurdjieff) Gianfranco Pezzot enamel and pigments (5 cm/2The paintings Ostovany creates unfold over time, evolving as layers of pigment are added, washed out, covered over, scraped away, dissolved and then more layers added. With each new phase in the process the composition becomes deeper and more luminous.
