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Fur Traders Descending the Missouri | George Caleb Bingham | 1845 Size:24"x18" and symbolic landscape

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Description

and symbolic landscape

Bruno Liljefors' Swans in Reeds (1907) captures a serene moment of two swans gliding through a quiet

combined with his intricate rendering of the trees and foliage

A significant and rare early view of Southampton

neoclassical villa nestled among tall pine trees and overlooking a serene lake

Fur Traders Descending the Missouri | George Caleb Bingham | 1845 Size:24"x18" and symbolic landscapeOne of Bingham's most famous paintings, this work is owned by the Metropolitan Museum of Art in New York. Painted around 1845 in the style called luminism by some historians of American art, it was originally entitled, French Trader, Half breed Son. The American Art Union thought the title potentially controversial and renamed it when it was first exhibited. It reflected the reality of fur trappers and traders frequently marrying Native American women

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