Covers 24 Blue I Summer acrylic and silver particles on wood panel which are made with a

which are made with a specialized printing surface that leaves a matrix of tiny dots in pattern similar to a photographic halftone

Reworking is part of his nature

modeling paste

His goal as a painter is not to solve the riddle as much as pose it as a unique perceptual challenge

a simple still-life situation but shot twice

Covers 24 Blue I Summer acrylic and silver particles on wood panel which are made with aJoanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape to mask out shapes and employ hard edges, working spontaneously, placing down a shape and then building upon it. Her use of singular color accentuates the interplay of ground, foreground relationships. Freeman tries to merge random gestures and idiosyncratic shapes with a controlled and reductive abstract language. This piece is part of a series titled