Untitled (266.11) Anya Spielman which is then transposed onto

which is then transposed onto the Plexiglas

While working on this project the artist is reminded of Josef Albers' statement: "There is a profound harmony in the immeasurable spectrum of color

center and edge

gestural tradition of painters like Cy Twombly

The ostensible template here refers to the color calibration test of the machinic eye (the camera's eye) in a common tool for this purpose

Untitled (266.11) Anya Spielman which is then transposed ontoIn a broader sense, Tilmans works on paper function as an archive of the artists ideas and observations. The visual information derives from various sources found and discovered by the artists restless visual mind. Usually there are no preceding sketches for Tilmans works on paper. The visual memory finds its way directly onto the paper and undergoes a transformation into a flat translation of the memorized image. By way of a playful approach, the